Oh my God. I was always excited for this film, but this is just above and beyond what I could have imagined. This film is not for everyone because it’s so incredibly arthouse, but I honestly think that if people talked about the film, they’d see it in a new light.
Virtually nothing here is meant to be taken literally; it’s extremely symbolic. It’s an allegorical trip that is haunting, intriguing, sublime, gorgeous, sad, different, strange, human, spellbinding, unforgettable, and masterful, utilizing all of these qualities that convey what it means to be a human. What is also is about, though, is reveling in the questions and finding answers.
The cinematography is immaculate and the sound design is incredible. The score is mesmerizing and perfectly complements the visuals and tone of the film, with its strings and screechy sounds crossing into the realm of being sound effects at some points, and that’s great because like the film, it brings together all senses and experiences into one odd package. Scarlett Johansson is intoxicating, doing so much with so little dialogue. She uses her eyes and facial expressions and callousness-turned-fake-charm so well, and you forget that you’re watching an actress work because it’s so immersive and shockingly realistic.
I can see why some people would dislike this film because it is very alienating (no pun intended) and probably as far from mainstream as you can get, but it’s also so engrossing. This is a film that gives no explanations and doesn’t really have much of a setup that leads into a conflict that sets the movie into action in a traditional sense. It works wonderfully because the movie itself feeds off of our abilities — as humans — to interpret emotions and read other individuals. The movie even seems to be watching you back at times.
Jonathan Glazer demonstrates that he has such a huge talent but also a great deal of discipline in order to make everything work. In the hands of another director, everything would have crumbled into pieces, but because it’s so well-made, he makes connections between humanity and sexuality, objectification and death, and, to a certain extent, gender roles.
The ending (without spoiling anything) both satisfies and leaves ample room for interpretation, and is very affecting. There is a good amount of emotion to this film, and it’s just so commendable that a film like this could be so human and realistic. I can definitely see the comparisons to Kubrick (my favorite director ever) and I could compare this film to Eraserhead and 2001: A Space Odyssey, and partially to Eyes Wide Shut.
This is a movie that I will never be able to forgot, and I know for a fact that I’ll be thinking about it obsessively for a very long time. This may be one of my favorite films ever.
9.7/10, masterful, two thumbs up, miles above average, etc.